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Release Date=2019
Scarlett Amaris
Genres=Horror, Sci-Fi
After a meteorite lands in the front yard of their farm, Nathan Gardner (Nicolas Cage) and his family find themselves battling a mutant extraterrestrial organism as it infects their minds and bodies, transforming their quiet rural life into a technicolor nightmare
Duration=1 H 51 min
Directors=Richard Stanley
12:53 When your mom sees you with your feet on the coffee table.
I went to see this movie with low expectations, as in general Hollywood does such a poor job of book adaptions.
I was pleasantly surprised.
It has a slow start, building up the tension nicely and builds up to a crescendo of Lovecraftian horror.
I liked how it avoided following a lot of usual horror tropes and the whole thing is left with a question at the end about what really happened.
Definitely worth seeing. Just don't expect a usual Hollywood horror movie.
Plot twist: the baby is the love child of Annabelle and Chucky. It looks actually like a goood movie. omf. Thanks for reminding me how awkward Kristen Stewart is...
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After looking at it more and more I was gonna say maybe the babysitter they hired was Jericho birth mother but these two adopted him then died, so they made a doll and here came the babysitter to get revenge. Then I looked again and said nah. Color out of space movie 2020. Im tired of them making movies all the same what happen to serial killer movies. Nic Cage: It's unlike any color I've ever seen before Me. It's purple. 2 wins & 1 nomination. See more awards » Videos Learn more More Like This Comedy | Thriller 1 2 3 4 5 6 7 8 9 10 6. 1 / 10 X A man in his thirties travels to a remote cabin to reconnect with his estranged father. Director: Ant Timpson Stars: Elijah Wood, Stephen McHattie, Garfield Wilson Sci-Fi 6 / 10 The head of a cyborg reactivates, rebuilds itself, and goes on a violent rampage in a space marine's girlfriend's apartment. Richard Stanley Dylan McDermott, Stacey Travis, John Lynch Action Fantasy Horror 6. 6 / 10 The enchanted lives of a couple in a secluded forest are brutally shattered by a nightmarish hippie cult and their demon-biker henchmen, propelling a man into a spiraling, surreal rampage of vengeance. Panos Cosmatos Nicolas Cage, Andrea Riseborough, Linus Roache A troubled college freshman, Luke, suffers a violent family trauma. He then resurrects his charismatic childhood imaginary friend Daniel to help him cope, not realizing how dangerous Daniel is. Adam Egypt Mortimer Miles Robbins, Patrick Schwarzenegger, Sasha Lane Mystery 5. 8 / 10 Shortly after delivering a patient to an understaffed hospital, a police officer experiences strange and violent occurrences seemingly linked to a group of mysterious hooded figures. Directors: Jeremy Gillespie, Steven Kostanski Aaron Poole, Kenneth Welsh, Daniel Fathers 6. 2 / 10 A woman on the run from her abusive husband encounters a mysterious hitch-hiker. Robert John Burke, Chelsea Field, Zakes Mokae Crime Romance 7 / 10 A young boxer and a call girl get caught up in a drug-smuggling scheme over the course of one night in Tokyo. Takashi Miike Becky, Bengal, Masayuki Deai Drama 6. 5 / 10 A boy, looking for his missing father, travels to Germany and uncovers a haunting legacy that a meteorite left behind in the area. Based on H. P. Lovecraft's short novel "The Color Out of Space. " Huan Vu Paul Dorsch, Jürgen Heimüller, Ingo Heise A guy relies on his newly-acquired gladiator skills to save his ex-girlfriend from kidnappers. Jason Lei Howden Samara Weaving, Daniel Radcliffe, Rhys Darby 7. 6 / 10 When Cecilia's abusive ex takes his own life and leaves her his fortune, she suspects his death was a hoax. As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see. Leigh Whannell Elisabeth Moss, Oliver Jackson-Cohen, Harriet Dyer Rivalries, dark secrets, and sexual tension emerge when three best friends find themselves stranded on a yacht in the middle of the ocean desperate for survival. Rob Grant Munro Chambers, Christopher Gray, Emily Tyra 5. 3 / 10 A young woman sets out on a crime spree that she broadcasts on social media. Robert Mockler Addison Timlin, Ian Nelson, Larry Fessenden Edit Storyline A story of cosmic terror about The Gardners, a family who moves to a remote farmstead in rural New England to escape the hustle of the 21st century. They are busy adapting to their new life when a meteorite crashes into their front yard. The mysterious aerolite seems to melt into the earth, infecting both the land and the properties of space-time with a strange, otherworldly color. To their horror, the Gardner family discover that this alien force is gradually mutating every life form that it cluding them. Plot Summary Add Synopsis Details Release Date: 5 February 2020 (Philippines) See more » Also Known As: Color Out of Space Box Office Budget: $6, 000, 000 (estimated) Opening Weekend USA: $216, 162, 26 January 2020 Cumulative Worldwide Gross: $943, 018 See more on IMDbPro » Company Credits Technical Specs See full technical specs » Did You Know? Trivia The simulation that Benny is playing with on his computer before the asteroid strikes is a real game called Universe Sandbox 2. See more » Goofs Ward Phillips states that "Most meteorite disintegrate in the atmosphere. " This isn't correct. A Meteorite, by definition, is a rock from space that impacts the Earth's surface. A rock that burns up in the atmosphere without reaching the surface is a Meteor. And a rock randomly drifting through space is a Meteoroid. See more » Quotes Ezra: Nothing. Nothing. Cold and wet. But it burns. Sucking the life out of everything. It came down in the rock. It lives in the well. It grew down there. Poisoning everything. Changing everything. Into something like the world it came from. Into what it knows. We all know it's coming, but we can't get away. It's got everything that lives. They all drunk the water. It got strong. Fed itself on them. It came from the stars... where things ain't like they are here. It's just a color.... Crazy Credits The title of the film is Color (sic) out of Space, but announces that it is based on The *Colour* out of Space, by H P Lovecraft. See more » Soundtracks Burnt Year Written by James Kelly See more » Frequently Asked Questions See more ».
Color Out of Space movie page. Well, I am pretty well spaced out right now, because this amazing movie from Richard Stanley (his first film in 25 years) and based on a short story from H. P. Lovecraft, is a truly unique movie experience. I would not even try to tell you much about the story, you can read the summary at IMDB. It demands repeated viewings, and I'll certainly do that. It is a true visual treat, with magnificent colors and photography that defy description. Within the Sci Fi Horror genre, it is frightening but also beautiful. Nic Cage gets a chance again, since "Mandy" to give one of his patented freakout performances. He is very very good as is the whole cast. I just loved the movie, and I'll be thinking of it for some time, because it really does hit you in the face.
Well time to go play Bloodborne til whenever this comes out.
Spoiler Do the dog/alpaca scene.
They're alpacas! Was there a swastika made from Barbie doll legs in the beginning of the movie.
So excited! Not going to watch the trailer because I want to get it all in the theater.
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Looks like theres gonna be two Lavinias in this new Lovecraft EU if the next film is “The Dunwich Horror”. And they both die. 😳. Color out of space movie scene. Color out of space movie spoiler. 2004: Butterfly effect 2019: Mandela effect 2034: Doppler effect 2049: Continue. Color out of space movie ending explained. Damn the voices are so 🔥🔥🔥🔥 If this come up as a movie I assure it will worth so much, many people would f* ing love it. I n the bonkers 2018 thriller Mandy, Nicolas Cage gave one of his Cage-iest performances yet, face splattered in blood as he pursued a cult leader who’d tortured his girlfriend. If you thought that was trippy, wait till you see Color Out of Space, in which Cage’s mug is once again sprayed with blood... alpaca blood. Adapted from a story by HP Lovecraft, this is a freaky-deaky, retro-cosmic science-fiction horror about a meteor that slams into Earth unleashing an extraterrestrial organism. The whole thing looks as if it was dreamed up under the influence of a quality batch of LSD. I laughed out loud at the hokiest bits. But I’ve got to admit I was sucked in and genuinely scared, too. The director is Richard Stanley, who hasn’t made a feature film since he got fired from The Island of Dr Moreau (1996). Cage plays Nathan Gardner, an artist who moves with his wife ( Joely Richardson) and three kids back to the farm where he grew up, to raise alpacas. In a very Cage-y moment he turns dreamy-eyed while milking: “You’ve got to warm the boob. ” When a meteor lands in their front garden, the family witness flashes of a colour never before seen by the human eye (actually, purple). After the meteor comes the terror. Lush mutant flowers begin to grow in the garden; the dog won’t stop whimpering; everyone gets a bit shouty. Then things get gobsmackingly, gaggingly repulsive. To be fair, Cage holds it in for the first hour, giving us his version of liberal, caring dad. When he does finally does let rip, he doesn’t go all-out ragey-Cagey, but does something creepier: rambling in a Trumpishly high-pitched, peevish voice. It’s a film with a fair few ludicrously funny bits, yet something endearing in how unashamedly earnestly it’s played straight, not for laughs. Love it or loathe it, Stanley is trying to do something distinctively his own after all those years in the cold. His movie perhaps has the makings of a cult classic. • Color Out of Space is released in the UK on 28 February.
| Peter Sobczynski January 23, 2020 According to IMDb, the seemingly inexhaustible Nicolas Cage has no fewer than six additional movies in various stages of production that are currently scheduled for release in 2020, ranging from high-profile studio outings to the kind of demented head-scratchers that he somehow manages to sniff out in the manner of a pig finding truffles. And yet, none of these films may be able to top his latest effort, "Color Out of Space, " in terms of sheer nuttiness. Considering that the film takes its inspiration from one of the most famous short stories by the legendarily weird H. P. Lovecraft, and was directed and co-written by Richard Stanley (making his first stab at narrative filmmaking since being fired from his remake of “The Island of Dr. Moreau” after only a few days of shooting), there was very little chance that it was every going to be just another run-of-the-mill project. However, the addition of Cage to the already heady cinematic brew definitively puts it over the top, making it the kind of cult movie nirvana that was its apparent destiny from the moment the cameras started rolling. Advertisement The film centers on the Gardner family, who have recently left the hustle and bustle of the city for a more bucolic life in a remote house near a lake in the deep woods of Massachusetts. While father Nathan (Cage) is gung-ho about becoming a farmer and raising alpacas (“the animal of the future”) despite no discernible talent for either, wife Theresa ( Joely Richardson) is preoccupied with recovering from a recent mastectomy, eldest son Benny ( Brendan Meyer) is off getting stoned most of the time, teen daughter Lavinia (Madeline Arthur) vents her annoyance at the move by dabbling in the black arts with her paperback copy of “The Necronomicon” and young son Jack ( Julian Hilliard) more often than not simply gets lost in the shuffle. The Gardners are not crazy or hostile in any way, but it also becomes quickly obvious that their isolation has begun to drive them all a bit batty. That weirdness escalates one night when the sky turns an almost indescribable shade of fuchsia, and a meteorite crashes into their front yard. Although the meteorite itself soon crumbles away, strange things begin happening in its wake. A batch of new and heretofore unseen flowers begin blooming while Nathan’s tomato crop comes in weeks ahead of schedule; the family’s phones, computers, and televisions are constantly being distorted by waves of static that render them all but useless. The Gardners themselves begin exhibiting signs of strange behavior as well: Nathan begins acting daffier than usual, flying off into rages at the drop of the hat; a seemingly dazed Theresa chops off the tops of a couple of her fingers while cutting carrots; Jack is constantly staring and whistling at a well that he claims contains a “friend. ” Before long, everything in the area begins mutating in indescribable ways, and while Benny and Lavinia recognize what is happening around them, even they appear to be powerless to escape the grip of whatever is behind everything. The stories of H. Lovecraft have inspired, directly or otherwise, any number of films over the years but with very few exceptions (chiefly Stuart Gordon ’s cult classics “ Re-Animator ” and “ From Beyond ”), most of them have not been especially good. In most cases, the problem is that Lovecraft’s stories tended to focus on indescribable horrors and much of the impact for the reader came from taking the vague hints that he did parcel out and then picturing it in their own minds, where their imaginations had no limitations or budgetary restrictions. To successfully adapt one of his works, a filmmaker needs either an unlimited budget to try to bring his horrors fully to life, or the kind of unlimited imagination that allows them to take Lovecraft’s suggestions and go off in their own unusual directions. When these requirements are missing, the results can be fairly dire, as anyone who saw “The Curse, ” a dire low-budget 1987 adaptation of Color of Outer Space, can attest. In this case, the film works because it is clear that Stanley is not only working on the same wavelength as Lovecraft was when he wrote the original story, but has managed to transform the author’s decidedly purple prose into cinematic terms. Take the titular color, for example. In the original story, it is never properly described to us other than being of a shade never before seen on the typical color spectrum. That sort of non-description description can work on the page but isn’t especially helpful as a guide for someone who has to bring it to life. Stanley proves himself to be up to the challenge, and hits upon a wild color scheme that honors Lovecraft’s intentions by bathing everything in a genuinely otherworldly tinge. Not content to rest there, he builds upon that weirdness with an equally vivid soundscape, including a creepily effective score by Colin Stetson. Stetson's score shifts levels of reality in aural terms and conjure up the kind of terrors that are even harder to shake than the numerous and undeniably eye-popping physical mutations on display. Stanley also manages to work the film’s additional otherworldly element—Cage's performance—organically into the material, without losing any of its total strangeness in the process. For fans of oddball cinema, a Cage-Stanley collaboration is the stuff dreams are made of. In that respect, it does not disappoint. Obviously, once things go crazy in the second half, Cage brings out the weirdness full force (even randomly employing the wheeling vocal tic that he used decades earlier in “Vampire’s Kiss”). But what is interesting is that, instead of making Nathan into a completely normal guy who does an immediate 180 as a result of the strange occurrences, he and Stanley instead see him as a guy who is already a bit off right from the start, albeit in endearingly oddball ways. As a result of his work in these early scenes, there is an unexpected degree of poignance that he brings to the proceedings later on even as things go fully gonzo. The chief problem with “Color Out of Space” is that, at nearly two full hours, it is a little too much of a good thing at times, with some plot elements—chiefly one involving potentially shady dealings by the town’s mayor (Q’orianka Kilcher)—that could have easily been jettisoned. For the most part, however, the film is the kind of audacious and deliriously messed-up work that fans of Stanley, Cage, and cult cinema have been rooting for ever since the existence of the project became known. Both as an effective cinematic translation of Lovecraft’s particular literary skills, and as a freakout of the first order with sights and sounds that will not be easily forgotten, this is one of those films that I suspect is going to grow in significance and popularity in due time. Hopefully it will serve as just the first of many collaborations between Stanley and Cage, two decidedly kindred artistic spirits. Reveal Comments comments powered by.
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Movies | ‘Color Out of Space’ Review: Bother From Another Planet Critic’s Pick Nicolas Cage and Joely Richardson face an evil shade of lilac in this inventive sci-fi horror film directed by Richard Stanley. Credit... Gustavo Figueiredo/RLJE Films Color Out of Space NYT Critic's Pick Directed by Richard Stanley Horror, Sci-Fi Not Rated 1h 51m “Color Out of Space, ” apparently, is blindingly bright and magnificently malevolent. In this bonkers yet weirdly beautiful science fiction-horror hybrid (directed, with retro panache, by the great Richard Stanley), the light is a throbbing lilac and blood is Schiaparelli pink. And if I tell you that Nicolas Cage’s eyeballs will turn into ultraviolet high-beams, then you’ll know immediately if you’re in or out. Lovers of aberrant, gooey B-movies will be all in. Cage plays Nathan, a gentleman farmer who can show you how to whip up a cassoulet or milk an alpaca. Nathan’s main preoccupations are lingering daddy issues and a stalled sex life resulting from the recent illness of his wife, Theresa (Joely Richardson). But just as that particular dry spell is breaking, a meteorite crashes into their front yard, its crater releasing poisonous, multihued energy that alters DNA in disgustingly inventive ways. And when Theresa’s body begins a seeming attempt to suck the youngest of their three children back into the womb, an increasingly unhinged Nathan becomes convinced that only family solidarity will save them. Based on a 1929 short story by H. P. Lovecraft, “Color Out of Space” has more going on than just the squishy satisfactions of its old-school creature effects ( reminiscent of Rob Bottin’s ingenious work on John Carpenter’s “The Thing”). Using shape-shifting as a messy metaphor for sickness and childhood trauma, Stanley and Cage leap so far over the psychological top that they never come back to earth. By the end, my own eyeballs hadn’t changed color, but they must have looked like pinwheels. Color Out of Space Not rated. Running time: 1 hour 51 minutes.
This movie proves you don't need annoying jump scares every fucking 20 seconds or so just to be scary! All you need is a good plot and that scary good atmosphere feel! Oh! And tolerable characters! lol. Ohh, you're god damned right I am not going to pass on this one. Color out of space movie showtimes. Darkness. Sometimes the algorithm provides us with gifts...
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